Book reviews is one of my on-going concerns with authors. Maybe they don’t care about book reviews and never put any effort into getting them. Their book has been available for months or years yet they  have zero or one or two reviews.

Other authors put effort into getting reviews when their book is first launched (which is admirable). Yet after the initial launch, they press on to other areas and never do anything additional about book reviews.

My focus in this article is helping you understand the on-going importance of book reviews. Whether your book is just launching or has been out for years, you still need reviews. A new review whenever it is posted is something you can tout and promote on social media.

I encourage every author to get at least 25 reviews when their book launches.

Most authors dream of seeing their books turned into film/TV, so millions of people can experience their worlds. In today’s show, J.A.Huss and Johnathan McClain tell the story of how they worked together to turn Julie’s books into a successful TV pitch.

In the intro, I talk about my writing progress with Valley of Dry Bones, and some tips for moving books over from Createspace to KDP Print.

Plus, I have updated all my main landing pages on writing fiction, writing non-fiction, publishing, marketing, making a living with your writing, and the author mindset. You can find everything on my Resources page here.

This podcast is sponsored by Kobo Writing Life, which helps authors self-publish and reach readers in global markets through the Kobo eco-system. You can also subscribe to the Kobo Writing Life podcast for interviews with successful indie authors.

J.A.Huss is an award-nominated New York Times and USA Today best-selling romance author with millions of copies of her awesome books sold around the world.

[Julie was previously on the podcast talking about writing and marketing romance.]

Johnathan McClain is an award-winning stage actor, screenwriter, and film and TV actor, appearing in programs like Grey’s Anatomy and Mad Men. He’s also an award-winning audiobook narrator.

Julie and Johnathan co-write as Huss McClain.

read more https://www.thecreativepenn.com/2018/08/06/from-author-to-screenwriter-tips-for-taking-your-books-to-hollywood-with-huss-mcclain/

Self-publishing books for children can be challenging because of higher printing costs and difficulties in marketing to your target market. In today’s show, Karen Inglis explains how she sells thousands of copies of her books for children and tips for how you can do it too.

In the intro, I mention my own writing update with Valley of Dry Bones, as well as how Gutenberg update will impact your WordPress site [The Digital Reader], and The Story Studio podcast episode about creative burn-out, focusing on the wrong things and how to get your writing mojo back.

read more How To Self-Publish And Market A Children’s Book With Karen Inglis

My agent recently had a confab with a number of editors in New York, all from various houses. I can’t tell you the details of which house wants what (she’d kill me) but I can say this: what everyone is looking for is something fresh. They want the unique, the immersive, and the truly different.

There are a few catches to this.

READ MORE How to Write Fiction That’s Fresh

Last post was some tongue-and-cheek fun pointing out how brands (particularly author brands) abuse Twitter. Today, I want to shift gears and chat some about how writers—actually ALL brands—can use Twitter far more effectively.

Currently, too many writers are like Stormtroopers—lots of shots fired  tweets that hit NOTHING.

Admittedly, when I got on Twitter (practically when it was invented) I didn’t get it. I would—KID YOU NOT—freak out when people I didn’t know followed me.

WHAT? Are you, like, a stalker?

Yes, I was missing the ENTIRE point of Twitter. Hey, we all start somewhere.

Do you have to do Twitter? No. No one will take you to writer jail because you didn’t sign up. Is it wise to use Twitter? Meh, for the past couple years. Er, not so much.

Was sort of a personal choice if one was willing to be persistent and cull through bots to find gems. I stuck with it namely because I figured Twitter eventually would remedy the problems that were hobbling this once extremely effective social platform.

Now that Twitter’s going all Old Testament on bots and excessive automation? ABSOLUTELY a great idea to be on Twitter.